I love it when reviewers can't quite categorise something, except when it's me of course.
With Scottish duo Doghouse Roses I have read the terms nu-folk, bohemian folk, folk-pop, alt-folk, and folkicana, amongst several others. It's almost tempting to add my own descriptor to the collection, but perhaps it's best to let the music speak for itself.Suffice to say that the picture is a rosey one. The Scottish duo clearly have music bar-coded within their individual DNAs. When Paul Tasker saw the legendary Bert Jansch play live in the early 1990s it inspired him to learn the guitar. I too have seen the great man perform but it inspired me to give up altogether, such is his unbelievable skill.
Fortunately Paul was made of more determined stuff and soon set out on a music career that has led to Doghouse Roses. Singer Iona Macdonald has a voice to die for. At times reminiscent of the late Sandy Denny, Iona is a totally natural talent who has found exactly the right place to be in musically.
The ten songs on How've You Been (All This Time)? were developed throughout the majority of 2007. The album itself was released towards the end of last year and was produced by Malcolm Lindsay, noted for his work with the excellent US 'folk-noir' band Willard Grant Conspiracy. He has also worked with fellow Scots, The Delgados.
The album has an impressive guest list including Iona's father Duncan, an award winning gaelic singer who adds some backing vocals. Scottish Opera's principal cellist, Robert Irvine also appears, as does percussionist Wilf Taylor, formerly with the band Capercaille.
Paul captures the Jansch style of clear, atmospheric guitar playing impressively. This has been further augmented by the addition of the cello, piano, and strings. Together they create all the warmth, emotion, and intimacy of British folk music at its finest.
This sound has led to appearances with, and in support of, the Willard Grant Conspiracy. They have also appeared on their album Pilgrim Road. Despite the geographic differences there is a vague similarity between the two bands. Namely, a hint of country-blues which adds to the traditional folk essence that radiates from this album.
None of this would be possible without Paul's exceptionally clean guitar playing and, of course, Iona's gorgeous voice. "Gone There", the album's opener, sets the scene. The duo's ability to deliver heatfelt ballads in such a genuine way is their undoubted strength.
"All I Knew", confirms to the listener that it is time to put another log on the fire, pour a glass, and gaze at the images within the flames. They simply do not let the quality drop or even dip throughout an exquisite album that is rich with beautiful folk flavours.
"Greener The Grass", an earlier single from the album, is pure Sandy Denny. That comparison is one that cannot be touted around easily. "Pilgrims Tale" sits nicely in Fairport territory, whilst the publicity notes tell me that the end section of "Border Hills" brings in a Dr. John vibe. I can see exactly what they mean and it is these touches that help lift the album even higher.
Again the notes are spot on as the simply beautiful piano led "Stalling" had me reaching for Joni Mitchell's Blue. Listen to the intro to "Happiness" for living proof that Paul really was inspired by Bert Jansch all those years ago.
This is a warm album of melancholic folk, enriched by quality musicianship, amid a collection of heartfelt songs. It has shades of Pentangle, nods to Fairport Convention, and also pays homage to the memory of Sandy Denny. It is an inspired folk record, debut or otherwise.
Since its release it has earned them a slot as featured artists on BBC Radio 2's Good Morning Sunday programme. Listen for yourself by visiting the official website of Doghouse Roses.
Jeff Perkins, March 21st, 2009
